In this thought-provoking anthology, the International Red Cross and Red Crescent Museum has partnered with the Prix Pictet, the world’s leading prize for photography and sustainability, to show a different side to humanitarian photography.
Coeditors William A. Ewing and Elisa Rusca decided to select thirty photographers from the five thousand or so artists who have been nominated since the award was founded in 2008. Adopting a broad definition of humanitarian photography, they looked for work with a visible humanitarian impulse and attributes such as care, dignity, and empathy.
The result is a diverse, stimulating and, at times, surprising visual display that is very different from the “breaking news” images we often associate with humanitarian action. What sets these photographs apart? An unerring sense of compassion. This compelling collection underlines the power of contemporary photography to move us and inspire positive change in the world.
Reviews
This book’s beautiful images will appeal to anyone interested in world-class photography and how such photos can offer moving aesthetic experiences. A thought-provoking and diverse collection.
— Kirkus Reviews
Contributors
William A. Ewing
Edited By
William A. Ewing is an author and curator. Formerly the director of exhibitions at the International Center of Photography Museum in New York City, and the director of the Musée de l’Elysée, Lausanne, he has curated exhibitions for museums worldwide. Ewing is the author of dozens of books, most recently Aviary: The Bird in Contemporary Photography, Human.Kind., and, with Danaé Panchaud, Flora Photographica: The Flower in Contemporary Photography.
Elisa Rusca
Edited By
Elisa Rusca is an art historian, writer, and curator. She is currently director of exhibitions and collections at the International Red Cross and Red Crescent Museum in Geneva.
Pascal Hufschmid
Text By
Renaud de Planta
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Marie-Laure Salles
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Michael Benson
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Michael Benson is a journalist, filmmaker, and artist. His work has been published in the New York Times, the Atlantic, Rolling Stone, and the Nation.
Isabelle von Ribbentrop
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