“An important contribution to the field…A readable, informative assessment of the Wari and their art.”
— Choice
“Informative essays …put flesh on this long-lost race, accompanied by crisp four-color photography…[A] wonderful reference that will be a valuable resource in any library.”
— Antiques & The Arts Weekly
“Perfect for: art history buffs, Latin American studies majors and lovers of ancient folk art.”
— The Huffington Post
“Stunning…By incorporating a wide variety of Wari arts from the figural to the abstract, and across media, the catalogue presents Wari art as a totality. The lavish illustrations, most of which are in full color, provide a visual database from which trends emerge, an internal logic coalesces, and the Wari become more understandable. Despite the lack of monumental forms, Wari artwork does not lack sophistication, and its influence ran deep.”
— caa.reviews (College Art Association)
“Reads like a cookbook but has the look and feel of a décor magazine… The focus is on the design of chefs’ home kitchens, which reflect a range of culinary aesthetics… A true kitchen voyeur’s delight.”
— Publishers Weekly
“One is as likely to find a new dish here as tips and ideas for home chefs who want to organize their kitchens better, plant and grow their kitchen gardens, shop better at local farmers' markets or forage for wild foods (with kids, even!)… Wild Kitchen is a celebration and an invitation.”
— Shelf Awareness
“This collection is peerless.”
— The Society Diaries
“He shot Tippi Hedren lying on an ironing board on Seventh Avenue, Paul Newman and Joanne Woodward on stools as traffic whizzed by in the middle of Broadway…”
— The New York Post: Page Six
“Mad-Men era fashion and advertising photographs.”
— VanityFair.com
“[Helburn] was an accomplished contemporary of the masters Avedon and Penn, specializing in his own sophisticated take on New York fashion. His particular gift was in presenting his models within a larger urban landscape…His fashion work was playful and vivid. Some of the advertising photography is dated, but the best pictures here recall a time when even the most elegant fashion was somehow earthbound, before the overuse of Photoshop began digitally carving models into alien beings. A series of picture with actress Sharon Tate for Esquire in 1967 and 1968 capture a stylish revolution in primary colors before the era went dark.”
— The Los Angeles Times
“A treasure for those who consider themselves fashion-obsessed…Helburn was to photography and fashion what Steve McQueen was to acting and Hollywood.”
— New York Journal of Books
“Helburn is now getting the recognition he deserves…A very compelling book.”
— Rebeat
“Not only a testament to the man and his talent but helps preserve an important part of fashion and advertising photography. The clothes, the models, the settings recall a time of creativity and fun.”
— Passport
“Introduc[es] this key character of a long gone era, in which the United States lived what was probably the most exciting and innovative time in advertising. Helburn [made] images that were outside the box and popped from the pages of the magazines and billboards, bringing new excitement to the ads he was hired to shoot.”
— The Huffington Post