Contributors

Geert Gratama studied at the Gerrit Rietveld Academie in Amsterdam and works as an illustrator and graphic designer for various publishers, theater groups, governmental organizations, institutions, and companies.

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Alun Graves is Senior Curator, Ceramics and Glass 1900-now, in the Department of Decorative Art and Sculpture at the Victoria and Albert Museum, London. He has written widely on 20th- and 21st-century British ceramics and sculpture, contributing to a variety of journals, collected papers and exhibition catalogs. He has curated many exhibitions and displays, including Simon Carroll: Expressionist Potter (2014-15), Barnaby Barford: The Tower of Babel (2015), and Alison Britton: Content and Form (2016).

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Johannes Grave is professor of modern art history with a focus on European Romanticism at the University of Jena. He was awarded the Gottfried Wilhelm Leibniz-Preis in 2020 for his research on art in the early 1800s, early Renaissance painting, and picture theory.

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Paul Gravett is a writer, critic, curator, publisher and broadcaster who has worked in the comics industry since 1981. He is author of many books, including Graphic Novels: Stories to Change Your Life, Comics Art, Mangasia, and Posy Simmonds in The Illustrators series. He is co-director of Comica, the London International Comics Festival.

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Dr. Drew Gray is a social historian of the eighteenth and nineteenth centuries, specializing in the history of crime and punishment. He has written extensively on this subject, including in his recently published book, Jack and the Thames Torso Murders, proposing a new suspect for the Jack the Ripper murders. He is the author of Victorian crime blog The Police Magistrate, a member of the editorial board for The London Journal, and a fellow of the Royal Historical Society, and he teaches history and criminology at the University of Northampton.

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Adam Green is cofounder and editor of The Public Domain Review. Since launching the project in 2011, he's taken the review from modest beginnings to one of the most renowned digital projects of its kind, lauded by such outlets as The Guardian, New York Times, and Vice. He is also working on other experimental art and literary projects that build on his editorial work plumbing the depths of historical archives.

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Alexandra Green is the Henry Ginsburg Curator for Southeast Asia in the Department of Asia at the British Museum, London.

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No biographical information found.

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Mitch Greenblatt is the co-owner and founder of Xeric Watches, Horolovox, and watches.com.

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Rachel Greene is Editorial Coordinator and a director of Rhizome.org, an online resource and platform for new media art, and a curatorial fellow at the New Museum of Contemporary Art in New York.

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William Greenwood
Albukhary Foundation Curator of the Islamic World

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Daniela Gregori studied Art History in Vienna and Hamburg. She is an author and journalist who works especially in the field of applied arts.

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Rob Gregory spent over a decade at the Architectural Review as an associate then senior editor. He is now a teaching fellow in the department of architecture and civil engineering at the University of Bath, and in June 2019, he was appointed the senior architect for the campus division at the University of Bristol.

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Robert Grenier‘s previous books include A Box of Photographs and Brassai: The Monograph.

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Xanthe Gresham-Knight is a British author and storyteller creating bespoke performances for venues such as the British Museum and the Smithsonian. Xanthe was storyteller in residence for Harvard University and The Chelsea Physic Garden, and a senior lecturer at the University of East London for seventeen years.

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Chloe Grimshaw writes frequently on style and interiors for London’s leading newspapers and lifestyle magazines.

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Anna Gritz is director of Haus am Waldsee, Berlin.

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Rebecca L. Gross is a design historian who studies the past and present through the lens of architecture and visual culture. With a master of arts in the history of decorative arts and design from the Parsons School of Design in New York, Gross's folio is academic as well as topical and culturally engaged, documenting popular design spaces and concepts from the past decade. She regularly writes for Australian Architecture Media's publications, such as Houses, Artichoke, Sanctuary, Green, and Design Anthology, and works closely with designers and architects within the industry.

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Wendy A. Grossman is an independent scholar and curator. She is the author of Man Ray, African Art, and the Modernist Lens.

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Kelly Grovier is a columnist and feature writer for BBC Culture and his writings on art have appeared in the Times Literary Supplement, The Independent, Sunday Times, The Observer, RA Magazine, and Wired. He is the author of several books, including A New Way of Seeing: The History of Art in 57 Works, On the Line: Conversations with Sean Scully, and The Art of Color: The History of Art in 39 Pigments. He is cofounder of the scholarly journal European Romantic Review.

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Nikolai Grube is a professor of anthropology at the University of Bonn. He has been closely associated with several archaeological projects, including Caracol, Belize, and Yaxha, Guatemala.

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Harry Gruyaert is a Belgian photographer known for his images of India, Morocco, Egypt, and the west of Ireland and for his use of color. He is a member of Magnum Photos. His work has been published in a number of books, been exhibited widely, and won the Kodak Prize.

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Rosay Gubay is Bridget Riley’s archivist.

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Yann Guesdon is a specialist in Breton costume.

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Emmanuel Guigon is the director of the Museu Picasso in Barcelona.

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