Includes: Jerusalem; Songs of Innocence and of Experience; All Religions are One; There is No Natural Religion; The Book of Thel; The Marriage of Heaven and Hell; Visions of the Daughters of Albion; America a Prophecy; Europe a Prophecy; The Song of Los Milton a Poem; The Ghost of Abel; On Homers Poetry [and] On Virgil; Laocoon; The First Book of Urizen; The Book of Ahania; The Book of Los.
David Bindman is an emeritus professor of the history of art at University College London. He is currently a fellow of the Hutchins Center for African and African American Research, Harvard University, and he was a visiting professor of history of art at Harvard, 2011-2017. His publications include Blake as an Artist, Hogarth and His Times: Serious Comedy, Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century. Since 2006, he has been the editor with Henry Louis Gates, Jr., of the Image of the Black in Western Art series, in twelve volumes so far.