Description
The representation of the nude in art remained for many centuries a
victory of fiction over fact. Beautiful, handsome, flawless, its great success
was to distance the unclothed body from any uncomfortably explicit taint
of sexuality, eroticism, or imperfection. Here Frances Borzello contrasts
the civilized, perfected artistic nude of Kenneth Clark’s classic, The Nude:
A Study in Ideal Form (1956), with today’s depictions: raw, uncomfortable,
disturbing. Grittier and more subtle, the new nude—both male and female
—confronts us with the hidden issues and contradictions of the body and
our relationship to it.
Borzello’s story of the nude begins with a tale of life, death, and resurrection,
exploring how and why the nude has survived and flourished in
an art world that prematurely announced its demise. Subsequent chapters
take a thematic approach, exploring the nude in painting, portraiture,
sculpture, performance, and body art; in the work of female artists; and
in extreme and graphic expressions that intentionally push the boundaries
of both art and our comfort zone.
Reviews
Though today's nude is confrontational, the effect is rarely distancing; instead, Borzello concludes, its honesty forges an emotional bond between artist and viewer.
— Art & Auction
Make[s] the case for a more diverse approach to a timeless subject.
— Gallery + Studio
An in-depth look at our contemporary and historical fixation with the body and the nude.
— The Huffington Post
Contributors
Frances Borzello
Author
Frances Borzello has specialized in the social history of art since obtaining her doctorate at the University of London. She has published many books including The Naked Nude, A World of Our Own: Women as Artists, and At Home: The Domestic Interior in Art. She lives in England.
