Renzo Piano has created some of the most emblematic buildings of our age, including the New York Times Building in New York City, the Centre Georges Pompidou in Paris, the Shard in London, and the Parco della Musica in Rome. Here, Renzo Piano himself—whose many international awards include the prestigious Pritzker Prize—presents in his own words the works on which he has built his reputation over a span of fifty years.
Over one hundred works are featured, accompanied by over one thousand images of Piano’s work around the world including new photographs, drawings, and sketches, both intimate and authoritative, all with commentaries by the architect that combine personal anecdote and technical description with original insights.
No other architecture book will appeal to such a broad range of professionals and general readers alike. This is an unmatched introduction to the work of one of the world’s most influential and inspiring architects.
Reviews
An impressively comprehensive book.
— Architectural Record
Contributors
Renzo Piano
Author
Renzo Piano is a world-renowned architect, recipient of the RIBA Gold Medal, the AIA Gold Medal,and many other prestigious awards. The non-profit Renzo Piano Foundation and his practice, the Renzo Piano Building Workshop, are based in Genoa, Italy.
Kenneth Frampton
Foreword By
Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture. From 1972 to 2019 he served as Ware professor of architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University. He is a member of the American Academy of Arts and Letters. In 2018, he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture: the Poetics of Construction in Nineteenth and Twentieth Century Architecture; Labour, Work and Architecture: Collected Essays on Architecture and Design; American Masterworks: The Twentieth-Century House; Kengo Kuma: Complete Works; A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form; Modern Architecture: A Critical History; and Le Corbusier.
