First published in 1982, Lawrence Gowing’s Lucian Freud is an intimate portrayal of one of the twentieth century’s most exceptional artists. At once a pivotal narrative, a furtive autobiography, and a profound exploration of what it means to think through paint, this book represents a historically significant collaboration between two of modern art’s brightest minds.
Drawing on forty years of friendship—as well as his own painterly intuition—Gowing’s commentary pushes language to the very edge of meaning, evoking the richness of Freud’s art with poetic incisiveness as he locates, within the paint itself, “a coiled vigilance and … a serpentine litheness in the ready, rapid way in which an object was confronted.”
Freud’s deep involvement in the original book offers rare insight into the artist as he was in the 1980s. The conversations and questions that shape Gowing’s text produced some of Freud’s most memorable and widely quoted reflections, while Freud’s choice and grouping of paintings and drawings reveal unexpected connections across his works, as seen through his eyes.
Completely redesigned and reissued after many years out of print, this book remains a landmark publication on Lucian Freud.
Reviews
A homage to the most alarming and one of the most considerable of English painters.
— Sunday Times
What Gowing does superbly well is to alert the reader with clues and connections, never to explain… He helps you see the work with something of Freud's heightened perception.
— The Standard
A masterly achievement.
— Arts Review
The definitive monograph on Lucian Freud … important and necessary.
— Financial Times
One of the best books ever written by one painter about another
— The New York Times
Contributors
Lawrence Gowing
Author
Sir Lawrence Gowing CBE RA (1918–1991) was an English artist, writer, curator, and teacher. Initially recognized as a portrait and landscape painter, he quickly rose to prominence as an art historian, authoring over fifty books and catalogs. Gowing served as deputy director of the Tate Gallery, London, and was a central figure in academic circles, holding teaching posts at the University of Leeds and the Slade School of Fine Art at University College London, as well as a professorship at the National Gallery of Art in Washington, DC. He was knighted in 1982 and elected Royal Academician in 1989.
David Dawson
Foreword By
David Dawson is a renowned painter and photographer, and director of the Lucian Freud Archive. He was Freud’s studio assistant and regular model for over twenty years, appearing in paintings such as Sunny Morning – Eight Legs (1997) and Portrait of the Hound (2011).
