In 1929, Louise Nevelson was a disappointed housewife with a young son, surrounded by New York’s vibrant artistic community but unable to fully engage with it. By 1950, she was an artist living on her own, financially dependent on her family, but she had received a glimmer of recognition from the establishment: inclusion in three group shows at the Whitney Museum of American Art. In 1980, Nevelson celebrated her second Whitney retrospective. Her work was held in public collections aroundthe world and her massive steel sculptures appeared in public spaces in seventeen states.
The story of Nevelson’s artistic, spiritual, even physical transformation (she developed a taste for outrageous outfits and false eyelashes made of mink) is inseparable from major historical and cultural shifts of the twentieth century. Art historian and psychoanalyst Laurie Wilson brings a unique perspective to Nevelson’s story, drawing on hours of interviews she conducted with Nevelson and her circle. Over one hundred images, many of them drawn from personal archives and never before published, make this the most comprehensive biography—both in terms of visuals and narrative detail—of this remarkable artist.
Laurie Wilson is an art historian and practicing psychoanalyst on the faculty of the Psychoanalytic Association of New York affiliated with NYU School of Medicine. Her involvement with Nevelson dates back to the 1970s, when she spent fifteen hours interviewing the artist for her doctoral dissertation, Louise Nevelson: Iconography and Sources, which was subsequently published in the series Outstanding Dissertations in the Fine Arts. She has also written over a dozen chapters, articles, and essays on Nevelson.