An Atlas of Es Devlin

Es Devlin, Andrea Lipps

Devlin’s protean work is rooted in a lifelong practice of reading and drawing. From sketches in the margins of texts, be they poetry, drama, song lyrics, opera libretti, climate reports or endangered species lists, emerge the technically advanced, collectively imagined universes for which she is globally renowned. Fragile miniature paintings, paper cuts and small mechanical cardboard models form the seeds of some of the most iconic, large-scale, multi-disciplinary cultural manifestations in recent times, from public sculptures and installations at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum, and the Lincoln Center, to kinetic stage designs at the Royal Opera House, the Royal Ballet, the Metropolitan Opera, La Scala, and the National Theatre, as well as Olympic Ceremonies, Super Bowl half-time shows, and monumental illuminated stage sculptures for Beyoncé, The Weeknd, U2, Rosalía, Dr. Dre, and Kendrick Lamar. 

Devlin’s work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity, and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works.

Published in association with a retrospective exhibition opening at Cooper Hewitt, Smithsonian Design Museum in New York in November 2023, An Atlas of Es Devlin is a unique, sculptural volume of over 900 pages, including foldouts, cut-outs, and a range of paper types, mirror and translucencies, with over 700 color images documenting over 120 projects spanning over 30 years, and a 50,000 word text featuring the artist’s personal commentaries on each art work as well as interviews with her collaborators including Hans Ulrich Obrist, Bono, Benedict Cumberbatch, Pharrell Williams, Carlo Rovelli, Brian Eno, Sam Mendes, Alice Rawsthorn, and Abel “The Weeknd” Tesfaye. Each book is boxed and includes a die-cut print from an edition of 5000.

Reviews

Category-defying… An exquisitely produced and immersive artwork in itself, containing photographs, texts, foldouts, pullouts, translucent overlays and cutout pages that reflect the intricacy and imaginative extent of Devlin’s processes, from concept to final iteration.

— The New York Times

From the cardboard sculptures and paintings that developed into stage sets for the 2012 Olympic closing ceremony and the 2022 Super Bowl, to her activism, theater, poetry and more, this 900-page monograph traces…Es Devlin's three-decade-long career across disciplines.

— The New York Times Book Review

Vibrant photographs of Devlin's stage and arena structures contrast with the simplest of doodles, and everything in between. There are booklets within booklets; there are holes to look through and ideas to imagine… 858 pages altogether, in which the entire expanse of Devlin’s world is mapped out (hence the title) in vivid color and sumptuous design… One of our most brilliant and creative modern artists comes to scintillating life before you.

— Goldmine

Despite its heft, the book's complex form…feels intimate and inviting… A surprising variety of translucent and mirrored papers, page sizes, die cuts, and other unexpected moments invite readers to pause and appreciate the object they hold in their hands. The ideas startle, provoke, and reward. Devlin searches for ways to provide dopamine hits. As with her designs for the stage, she invites readers to become part of a temporary society traveling through a rich, creative landscape of observing and feeling… An Atlas of Es Devlin is an immersive, joyful reading experience, an encyclopedia of creativity, and a tribute to the sculptural possibilities of the printed book. It gives form and substance to the artist’s philosophy of why she creates.

— Print Magazine

At around 900 pages, there's a lot to see, from school-age drawings and glances of [Es Devlin’s] studio to maquettes of theatrical set designs and photographs of concerts by the likes of Adele and U2. Thankfully, with its mix of paper sizes and types, and the insertion of small gatefolds that further explain her design process, the book's format makes a voyage through it anything but boring; there are surprises at every turn of the page.

— A Weekly Dose of Architecture Books

Es is like superstring theory, at least eleven dimensions.

— Hans Ulrich Obrist

Es knows how to bend the mind around corners of our experience.

— Benedict Cumberbatch

Es takes our inchoate aspirations and sculpts them into a stage.

— Bono

I wish we’d had Es as a psychologist on some of our projects.

— Brian Eno

Es’s mind is both forensic and associative. She is able to x-ray a play and then she starts to dream.

— Lyndsey Turner

Es is a turning point for anyone she interacts with.

— Pharrell Williams

Es creates moments in which we suddenly become aware of life and existing, and time.

— Carlo Rovelli

With Es, there’s no 'No.' She creates a whole universe.

— Abel "The Weeknd" Tesfaye

Contributors

Es Devlin

Author

Es Devlin is a British contemporary artist who aims to amaze people into changing their minds. She creates large-scale sculptures that combine light, music, and language in order to encourage the cognitive and behavioral shifts that are becoming ever more urgent in the context of the Climate Emergency. Her work has been displayed at Tate Modern, Serpentine, V&A, and PACE Gallery’s Superblue Miami alongside a new work by James Turrell. She has created stage sculptures for Beyoncé, The Weeknd, U2, the Royal Opera House, National Theatre, La Scala, and the Met Opera as well as the 2022 Super Bowl featuring Dr. Dre, Kendrick Lamar, and Eminem.

Andrea Lipps

Edited By