Weaving through his long and prolific life are certain recurrent themes — his perennial drive toward new types of dwelling, from the early white villas to the U'ité d'Habitation at Marseille; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order. The distinguished critic and historian Kenneth Frampton reexamines all these facets of his artistic and philosophical worldview in the light of recent discoveries, and presents us with a Le Corbusier for the twenty-first century.