Making
extensive use of new research and material, Belinda Thomson's incisive
text gives a comprehensive and accessible account of the life and
work of one of the most original artists of the late nineteenth century.
Gauguin's work—painting, sculpture, prints and ceramics—is
discussed in the light of his public persona, his relations with his
contemporaries, his exhibitions and their critical reception. Drawing
on the recently published edition of Gauguin's letters up to 1885
and on his exchange of correspondence with Vincent and Theo Van Gogh
as well as journals and other writings, the author also reveals the
private world, beliefs and aspirations of the controversial artist.
Making
extensive use of new research and material, Belinda Thomson's incisive
text gives a comprehensive and accessible account of the life and
work of one of the most original artists of the late nineteenth century.
Gauguin's work—painting, sculpture, prints and ceramics—is
discussed in the light of his public persona, his relations with his
contemporaries, his exhibitions and their critical reception. Drawing
on the recently published edition of Gauguin's letters up to 1885
and on his exchange of correspondence with Vincent and Theo Van Gogh
as well as journals and other writings, the author also reveals the
private world, beliefs and aspirations of the controversial artist.