Thames & Hudson

 

Art Since 1900
Modernism, Antimodernism, Postmodernism

Hal Foster,
Princeton University

Rosalind Krauss,
Columbia University

Yve-Alain Bois,
Institute for Advanced Study

Benjamin H. D. Buchloh,
Harvard University

Volume 1, 1900–1944
ISBN 0-500-28534-9
paperback
352 pages
316 illustrations, 210 in color

Volume 2, 1945–2003
ISBN 0-500-28535-7
paperback
424 pages
364 illustrations, 236 in color

Volumes 1 & 2 together
0-500-28543-8

2005 publication

 
QUOTES

"Art Since 1900 might well become the definitive modern-art textbook for the next couple of generatons of university students. I, for one, hope that it does. Students will take away from the book a superb model of critical engagement and an unrivaled account of the historical avant-garde and its postmodern legacies."

— Richard Meyer,
Artforum

"I very much enjoyed reading the manuscript and there are many things about the book that I like immensely: the social/political grounding, the global reach; discussion of major exhibitions. The writing is excellent."

—Jo-Anne Berelowitz,
San Diego State University

"More comprehensive than the early 20th-century books currently in use."

—Rebecca Butterfield,
University of Pennsylvania

"A very good book: comprehensive, formidably intelligent and up to date, brilliantly organized and literate. . . . It covers the ground in a cogent and compelling fashion while making use of the most sophisticated and insightful recent scholarship. "

—George Dimock,
University of North Carolina at Greensboro

"This volume is based around an excellent authorial concept: to bring together four of the best writers on twentieth-century art in America, each of whom would rank among the top ten in the world. . . . To read many of these accounts is, as a fellow scholar and a fellow teacher in the field, not just an excitement but a joy. Stylish writing, focussed on an unusual but striking angle of approach to often a much-written object or artist, deeply informed by the latest art historical and theoretical perspectives . . . and all this done with a sharp eye to what will create excitement and, more importantly, enable learning in the classroom. . . . So there is no doubt that this will be a stand-out book . . . "

—Terry Smith,
University of Pittsburgh

"A welcome resource that answers the need for a serious, dependable survey of 20th century art—the kind of survey that professors in the field have long awaited. The prospect of having the century encapsulated in a single book by four of our leading scholars . . . is indeed exciting. Without doubt this study . . . will be much discussed and create considerable interest in the field. . . . Provocative and serious, it will surely work to raise the bar of discussion in classrooms in which it will be used; it promises to provide the basis for a more exciting 20th century survey course.

—James Meyer,
Emory University

Book overview

Table of Contents

Introductions

How to use this book

Preface

Sample Chapters

Quotes

Slide Sets

 

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Volume 1
Volume 2
Volumes 1 & 2 together

 

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