Thames & Hudson

 

Nineteenth Century Art
Third Edition
by Stephen F. Eisenman,
Northwestern University

496 pages
496 illustrations, 193 in color
paperback
ISBN 978-0-500-28650-0

Adopted at more than 400 colleges and universities

OVERVIEW

First published in 1994, this innovative and ground-breaking survey details the development of a critical perspective in nineteenth-century painting and sculpture. In art as in music, literature, philosophy, and political economy, the nineteenth century was a period of questioning, experimentation, discovery, and modernization. From Goya to Blake, from David to Delacroix, from Courbet to Cézanne, artists explored the links between perception and history, and in so doing challenged the prevailing definitions of art and the existing order of society.

Nineteenth Century Art embraces many aspects of the "new" art history—attention to issues of class and gender, racism, and Eurocentrism—but it also emphasizes the remarkable vitality and subversiveness of the era's best art. Indeed, nineteenth-century artists addressed many of the aesthetic, political, and moral issues that preoccupy audiences and historians today, such as the relationship between popular and elite culture, and the representation of women and non-European peoples in Western art. The book demonstrates that nineteenth-century art remains compelling today because its critical insights have rarely been surpassed. It will prove of interest not only to the specialist, but to anyone fascinated by the art, history, and culture of the era.

Slide sets are available from Universal Color Slide Co.

Book overview

Table of Contents

Introduction

Highlights

Quotes

Related World of Art titles



essays by:
Thomas Crow,
Institute of Fine Arts,
New York University
Brian Lukacher,
Vassar College
Linda Nochlin,
Institute of Fine Arts,
New York University
David Llewellyn Phillips,
University of East London
Frances K. Pohl,
Pomona College

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